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reviews of fred
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Friday, July 1, 2005 |
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Santa Fe New Mexican
When one thinks of the minimalist tradition in American music, the names
Philip Glass, Steve Reich, and John Adams come to mind. But other composers
working this corner of the classical spectrum also deserve attention.
One is Massachusetts-born Frederic Rzewski, who has long used minimalist
techniques in his music, much of which is written for solo piano. What
separates Rzewski from the more popular minimalists appears to be his
specific compositional language, grounded in the European tradition.
This recording features the popular "new music" ensemble
eighth blackbird -- the group insists on the all-lower-case spelling -- and brings
together three of Rzewski's larger works. "Pocket Symphony," written
in 2000 on commission from eighth blackbird, features several extended cadenzas,
each for a different instrument. 1969's "Les Moutons de Panurge" is
the most minimalist of the works, though Rzewski's writing often mocks the tradition
it draws from. The final piece, 1971's "Coming Together," uses spoken
text, in this case a letter written by Sam Melville, a convict killed in the
uprising at New York's Attica prison. "Coming Together" is an organic
variant of Reich's celebrated tape manipulations. The music isn't easy, but it
offers rewards to the patient listener. Copyright © 2005, Santa
Fe New Mexican |
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