reviews of concerts
The Washington Post
reviews of concerts
Friday, March 28, 2008

Intensely Innovative
Eighth Blackbird Gives Wing to New Works

Six musicians are playing a duet with recorded versions of themselves. It is like looking into an electronic mirror. The mirror refracts the rapid, driving beat of piano and marimba; it adds a reflected gleam to long-held chords of strings and winds. The players, live and recorded, create layer upon layer of sound, a rich mille-feuille of music, while pinwheeling light-images create visual parallels on the wall behind them…

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Richmond Times-Dispatch
reviews of concerts
Friday, March 28, 2008

Versatile eighth blackbird makes music look easy

Wednesday's concert "The Only Moving Thing" by University of Richmond resident sextet eighth blackbird at Camp Concert Hall had a lot more than one thing moving. Fresh off its first Grammy award, the group showed a versatility that must be seen and heard to be fully appreciated…

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Letter V
reviews of concerts
Thursday, March 27, 2008

Review: eighth blackbird "The Only Moving Thing"

By Clarke Bustard
Whoever said first impressions are the truest doesn’t know some of my best friends, and wouldn’t stand a chance of getting to the nub of "singing in the dead of night," a wildly eventful, 45-minute-long work by composers David Lang, Michael Gordon and Julia Wolfe and choreographer Susan Marshall, given its first performance by eighth blackbird.

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Seattle Times
reviews of concerts
Saturday, March 1, 2008

Soprano Upshaw, contemporary composition impress at Benaroya Hall

The Seattle Symphony's "Subscriber Extras" can be real gems — certainly true on Friday night when one of the great singers of our time intersected with an amazing chamber ensemble and three living composers.

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San Francisco Classical Voice
reviews of concerts
Saturday, March 1, 2008

An Ayre of Magic

Dawn Upshaw flew in with eighth blackbird to sing a concert Saturday night in Berkeley’s Zellerbach Hall. The eighth blackbird sextet and six equally remarkable players formed the Orquesta Los Pelegrinos, which joined Upshaw in a stunning performance of Osvaldo Golijov’s Ayre.

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MusicWeb International
reviews of concerts
Saturday, March 1, 2008

Seen and Heard International Concert Review

American soprano Dawn Upshaw's fierce intelligence and supple voice bring extra layers of depth and excitement to contemporary music. That was in abundant evidence Saturday night as she energized Ayre, a song cycle by the Argentinian composer Osvaldo Golijov, into exuberant existence. With help from the eclectic Orquestra Los Pelegrinos, the 40-minute performance capped off a program of highly listenable, ear-bending contemporary music that included a new piece by Stephen Hartke and George Crumb's still-haunting 27-year-old evocation of whale song.

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