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reviews of concerts
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Thursday, April 17, 2008 |
Live: 'Blackbird,' by the numbers
The math behind eighth blackbird’s program
Tuesday night at the Orange County Performing Artscenter, titled "The
Only Moving Thing," was this: The ensemble, based at the
University of Chicago, takes its name from Wallace Stevens' poem
"Thirteen Ways of Looking at a Blackbird," an inspiration for many
composers. The musicians number six: flute, clarinet, violin, cello and
piano (the grouping Schoenberg came up with nearly a hundred years ago
for "Pierrot Lunaire"), plus percussion. The concert, given in the
intimate Samueli Theater, contained two major new pieces -- Steve
Reich’s Double Sextet and "singing in the dead of night" by the Bang on
a Can collective -- but involved four composers. One piece was for 12
players. There were more instruments onstage than I could count. Is
birdseed poured on an amplified table one instrument or many? |
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Wednesday, April 16, 2008 |
Reich's pulsing pleasures sung by blackbird
For classical music critics, premieres can be heady stuff. In an art
form routinely disparaged for repeatedly programming the same museum
collection of works, the unveiling of a new work – even as a "West
Coast" premiere rather than the "world" variety – offers a chance to
celebrate a living, growing art. And Tuesday night's performance by the
chamber sextet eighth blackbird at Samueli Theater was no
garden-variety premiere. Both pieces on the program, Steve Reich's
Double Sextet, a co-commission of the Orange County Performing
Artscenter, and the three-composer collaboration "singing in the dead
of night," could hardly have been newer. |
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Monday, April 14, 2008 |
Blackbird virtuosos need no visuals
In addition to
playing their instruments like demons, members of the phenomenal
new-music sextet, Eighth Blackbird, often incorporate stage movement
into their performances. At its best, the group dispatches intricate
and demanding scores - generally from memory - while supplementing the
music with elegant visual counterpoint. |
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Saturday, April 12, 2008 |
Mature Eighth Blackbird flies high Ensemble performs beyond the fringe It's been a thrill for metro Detroiters to watch Eighth
Blackbird grow into a leading new music ensemble, because we've known
about the group's charisma and skill longer than most. |
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Saturday, April 12, 2008 |
Bright in the Dead of the NightEighth
blackbird’s concert on Saturday defied elementary arithmetic. For
example, the program featured two pieces, but four composers, which
might seem twice as many composers as was required. Similarly, the
first piece specified 12 musicians, but was performed by only six,
which might seem twice too few. |
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Friday, April 11, 2008 |
REVIEW: Eighth Blackbird It's
not often that a classical music group plays two shows in a night. But
then, it's not often that you find a group like the willing, wild and
daring Eighth Blackbird, the contemporary music sextet that offered two
kinetically charged concerts at Lydia Mendelssohn Theatre Thursday
evening, under University Musical Society auspices. |
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