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reviews of beginnings
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Sunday, June 6, 2004 |
By Joshua Kosman San
Francisco Chronicle original
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Beginnings
With its second commercial release, the brilliant sextet Eighth Blackbird
continues to inject vitality and allure into the new-music scene. The
two works here come at creation from fascinatingly diverse angles, a
neo- Christian approach from the exuberant young composer Daniel Kellogg
and the shaggy eco-humanism of old master George Crumb. My money's on
the former -- Kellogg's 30-minute "Divinum Mysterium" is one
of the most engaging, hallucinatory and beautiful works to come along
in years. From the liturgical opening (sung by Chanticleer), the piece
traces the world's creation in a few vivid strokes: the God-visited chaos,
the advent of light (Wagner's "Magic Fire" music reimagined
by Stravinsky) and the celebration of completion. Crumb's "Vox Balaenae
(Voice of the Whale)" has a hippie-dippy aspect, but its earnest
theatricality comes through.
Copyright © 2004 San
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