reviews
Albuquerque Journal
reviews of concerts
Friday, March 21, 2003

By Joanne Sheehy Hoover

eighth blackbird sears with intensity 

Everything about the contemporary ensemble eighth blackbird is different, as its return engagement for 20th Century Unlimited Saturday night in the St. Francis auditorium testified.

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Santa Fe New Mexican
reviews of concerts
Friday, March 14, 2003

By Jo Ann Baldinger

eighth blackbird flies back to Santa Fe

Contemporary chamber ensemble combines music, theater "We're trying to transform the traditional concert format into an all-inclusive experience," said Lisa Kaplan, pianist in the prize-winning chamber music group Eighth Blackbird.

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Salt Lake Tribune
reviews of concerts
Thursday, March 13, 2003

By Celia R. Baker

Chamber Ensemble Takes Flight With Contemporary Sounds

When three members of eighth blackbird turned their backs on the audience and began bouncing hips to an infectious beat, it became apparent that these are not typical performers of instrumental art music.

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Deseret News
reviews of concerts
Wednesday, March 12, 2003

By Rebecca Howard

Eighth Blackbird plays with passion

The classical music of the future is young, hip and alive. And it's best friend is Eighth Blackbird. The young sextet came to Libby Gardener Concert Hall Tuesday evening with a program of new music. The group plays with conviction, and its passion for the music comes through in every phrase.

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Chicago Tribune
reviews of concerts
Friday, February 21, 2003
By Ted Shen

Chicago Tribune 

Eighth Blackbird cuts and pastes in a rearranged tour-de-force

Eighth Blackbird, the young instrumental sextet in residence at both the University of Chicago and Northwestern University, has plenty of new tricks up its sleeve, the most enticing (and possibly significant) of which may be its collaboration with the Minimum Security Composers Collective.

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The New York Times
reviews of concerts
Monday, February 3, 2003

By Anne Midgette

Expanding Boundaries, Physical And Artistic

At first there was something a little self-conscious about the moment when the flute player and violinist began walking around the stage. This was, after all, a chamber concert at the Metropolitan Museum of Art, and in performance classical musicians tend to stay put. But Eighth Blackbird, a group of six young instrumentalists specializing in contemporary music, deliberately set out to explore the boundaries of a conventional recital on Friday night. And within a few minutes their roaming the stage seemed as natural as splitting the movements of four distinct pieces of music and combining them in continuous washes of sound.
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